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CREW  RATE  SHEET
Non-Union Rates

Few productions, save feature films and national commercials, require all the Job Roles expressed below and depending on your actual production needs, other roles, not listed below, may have to be added, as needed. 

 

The day rates listed below are for reference only to give you some idea of what could be charged.  However, we can negotiate based on your budget and needs from us. We determined these rates by decades of actual production time and researching both union and non-union rates for an average $1M budget feature film based on an 8 to11 hour workday (if 11 hours, that is, actually a 12 hour day, less the standard breaks of 30 minutes to 1 hour for meals, generally. 

Above the Line Production Crew Rates

Above the line crew members are involved in the creative development of your production.

Director's and Producer's rates are highly negotiable and receive between 2 to 5% of the production's overall budget.

 

Above the Line Job Roles:

Producers* - 2-5% of the production's overall budget.

Directors* - 2-5% of the production's overall budget

Director of Photography - $700 – $1000/day

Production Designer - $500 – $700/day

                                                                                    Key * = rates are highly negotiable

Below the Line Production Crew Rates

Below the line crew members are responsible for the day-to-day filmmaking involved for your Pre-Production, Production, and Post-Production tasks. Here is a partial list of Job Roles and a quick breakdown of day rates per department.  Other job roles may be required depending on your type of production. 

JOB ROLES - Day Rates, per Department:

Production Management Department Job Roles:

Production Manager - $430 /day

Production Coordinator - $433

Production Secretary - $208

Runner - $170

 

Casting Department Job Roles:

Casting Director - $307 / day

Casting Assistant - $170

Location Department Job Roles:

Location Manager - $450 /day

Unit Manager - $401

Location Scout - $247

 

AD Department Job Roles:

1st Assistant Director - $337 /day

2nd Assistant Director - $274

3rd Assistant Director - $255

 

Art Department Job Roles:

Set Designer - $441 /day

Set Decorator - $400

Art Director - $487

Standby Props - $354

Art Assistant - $180

 

Costume Department Job Roles:

Key Costumer - $325 - $437 /day

Costume Designer - $395

Custom Made Costumer - $293 - $395

Costume Supervisor - $365

Costume Standby - $342

Costumer - $262 - 377

Hair and Makeup Department Job Roles:

Hair/Makeup Designer - $433 /day

Hair/Makeup Artist - $387

 

Camera Department Job Roles: 

Camera Operator - $570 - &630 /day

1st Assistant Camera - $535

2nd Assistant Camera - $293 -$420

Focus Puller - $325 - $548

DIT - $427 - $630

Digital Utility - $263 -$378

Script Supervisor - $418

Still Photographer - $570- $630

Camera Utility - $325 - $437

Grip Department Job Roles:

Key Grip - $433 /day

Best Boy Grip - $387

 

Lighting Department Job Role:

Gaffer - $570 / day

Best Boy Gaffer - $506

Sound Department Job Roles:

Sound Designer - $564 /day

Boom Operator - $473

Sound Assistant - $354

Post-Production Job Roles:

Editor - $478 /day

1st Assistant Editor - $353

 

What we consider when calculating daily rates:

1.  Are you a member of or affiliated with a union, or non-union?

2. What’s the production type? e.g Film, TV, Interview, PSA, Commercial, Documentary, Political, Indie, etc...

3. What’s the production location(s); how many locations? How far are drive times?

4. What tier does the budget fall under?  Tiers/Budgeted productions, like:  1-7 mil? 8-11 mil, 12-25 mil, 26-100+ mil ?

5. What is the length of the shoot day:  6, 8 10, 12+ hours? 

6. Where, When, How Long, and in What City(ies) will the production take place?

 

Wrapping Up Production Crew Rates 

To sum up, it can be difficult to calculate the exact rates for any production crew - film or video - as they can vary greatly for each production - small or large.  It would be nice if we all got paid the same rate all of the time, but that’s just not the case.  Usually, producers, production companies and crew have to negotiate back and forth before they come to an mutual agreement. 

 

Also, remember, as DRP, as a full service production company, we are usually expected to provide our own staff and production kits:  such as crew, support staff, camera, dolly, booms, rigs, electrical, audio, and grips, etc.  Hence, your full service production company, which will incur extra charges for the necessary staff and/or rental equipment required, unless a package dea is requested. For standard equipment rates, you should provide us with what your production requires for a more accurate quote.  All quotes are estimated and may change based on actual production per day needs.  

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FUTURE SECTION 

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Carpe diem...

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